1
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and I'm the only one

2
00:00:07,433 --> 00:00:10,500
and I'm the only one and I'm the only one

3
00:00:12,500 --> 00:00:13,466
and I'm the only one

4
00:00:15,233 --> 00:00:16,033
and I'm

5
00:00:19,900 --> 00:00:21,700
the only one

6
00:00:24,266 --> 00:00:26,566
the 1920s and 30s

7
00:00:27,233 --> 00:00:29,033
at that particular period of time

8
00:00:29,033 --> 00:00:30,433
there was more traditional music

9
00:00:30,433 --> 00:00:32,666
preserved on commercial phonograph records

10
00:00:33,700 --> 00:00:36,800
at any other time in the history of recordings

11
00:00:37,400 --> 00:00:40,200
the records were made on a base of clay

12
00:00:40,200 --> 00:00:41,966
and different types of shellac

13
00:00:42,566 --> 00:00:44,066
and pressed uh

14
00:00:44,100 --> 00:00:45,366
most of the uh

15
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records from the major companies

16
00:00:46,866 --> 00:00:48,966
like Columbia and Victor

17
00:00:48,966 --> 00:00:50,666
were very high quality recordings

18
00:00:50,666 --> 00:00:52,500
although the buyers of the records

19
00:00:52,700 --> 00:00:56,333
heard very little of what actually was recorded

20
00:00:56,666 --> 00:00:59,566
due to the fact they were playing them on crude

21
00:00:59,566 --> 00:01:00,366
acoustic

22
00:01:00,866 --> 00:01:02,366
I wind up with trolls

23
00:01:16,400 --> 00:01:18,666
what a whale of a record

24
00:01:35,900 --> 00:01:37,366
hi welcome to Maryland hahaha

25
00:01:38,300 --> 00:01:39,900
I first met Joe 2 years ago

26
00:01:39,900 --> 00:01:41,700
I was in there to do a story on him

27
00:01:42,066 --> 00:01:43,100
and you never forget

28
00:01:43,100 --> 00:01:44,700
when you go in his basement for the first time

29
00:01:44,700 --> 00:01:46,766
because it's like going into another world

30
00:01:48,666 --> 00:01:50,500
not only was the music loud

31
00:01:50,566 --> 00:01:52,066
you know the smoke was thick

32
00:01:52,066 --> 00:01:53,266
he was dancing

33
00:01:53,633 --> 00:01:55,666
it was hard to even get a line on what was going on

34
00:01:55,666 --> 00:01:57,000
and after I got to know him more

35
00:01:57,000 --> 00:01:59,000
you you sense the real

36
00:01:59,000 --> 00:02:01,800
aesthetic theory behind all that enthusiasm

37
00:02:02,033 --> 00:02:03,433
and when I first interviewed him on the phone

38
00:02:03,433 --> 00:02:05,066
I had to hold the phone about here

39
00:02:05,266 --> 00:02:07,033
cause that's how excited he was to get a call

40
00:02:07,033 --> 00:02:08,533
and this is probably two years ago

41
00:02:08,700 --> 00:02:10,100
and just from that phone conversation

42
00:02:10,100 --> 00:02:12,466
I knew this guy is different than the other collectors

43
00:02:12,466 --> 00:02:14,200
I'd talked to there's something going on here

44
00:02:14,200 --> 00:02:15,833
and I think his collection is

45
00:02:15,833 --> 00:02:18,500
is such that it's almost been uh

46
00:02:19,400 --> 00:02:20,766
whittled down to the jewels

47
00:02:20,766 --> 00:02:22,400
I mean he just doesn't have a lot of junk

48
00:02:22,500 --> 00:02:23,900
a lot of people have a lot of records

49
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but he's got a lot of good ones


